Color Studies

Image from “Alla Prima II” by Richard Schmid

In the summer of 2022, I discovered "Alla Prima II: Everything I Know about Painting" by Richard Schmid through our public library. Both funny and inspiring, Schmid covers essential topics like value, lighting, drawing, and composition. What drew me in was his detailed chapter on palette organization, complete with charts and an approach to color mixing that builds certainty and eliminates guesswork. I knew I wanted to do a color study based on his method.

I've never taken on a project that demanded so much focus and concentration. The paper preparation alone probably took longer than the actual paint mixing. I cut eleven pieces of paper to size, drew a one-inch grid on each sheet, then carefully masked each grid with 1/4-inch tape.

The bottom row should be lighter #;—)

I completed two versions—one with gouache and one with acrylic. The acrylic version was particularly challenging due to the fast drying time of the paint. I didn't have the exact colors from Schmid's palette, but mine were close enough. It took practice and concentration, but I love the results. Of course, removing the tape was one of the most satisfying moments—so satisfying that the tape itself ended up in my journal!

While this method is rather demanding, it can certainly be done in a more casual way. For me, it was incredibly satisfying and added a wonderful visual reference to my studio. A little something to do when you feel stuck, need a change of pace or are just ready to get a new perspective! Have fun, give it a try!